Clay doesn't bill by the hour and never asks how that made you feel.
A deep forest green with a soft mineral-wash finish, warm, earthy, and a little weathered, like it has already seen a few good firings. The kind of green that looks even better with clay on it.
For the potter who quietly keeps the whole studio supplied.
A washed, lived-in black with a soft mineral finish, faded just right so it looks better the more you wear it. Practical too: black hides clay dust, glaze splatter and studio mess better than anything you own.
A soft apricot beige with a gentle mineral-wash finish, warm and chalky, the exact colour of greenware waiting its turn at the kiln. Easy to wear, and quietly flattering against just about anything.
A washed slate blue-grey with a soft mineral finish, muted, dusty and a little stormy, like the sky before a firing goes either very right or very wrong. Wears with everything and only gets better looking the more you live in it.
